Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | The Infanta Margarita-p | Adoration of the Magi (df01) | St John at Patmos (detail) (df01) | Infante Felipe Prospero | Le Prince Baltasar Carlos au manege royal avec le comte-duc d'Olivares (df02) |
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Rudolf Swoboda
1859 - 1914 was a 19th-century Austrian painter, born in Vienna. He studied under Leopold Carl M??ller, and voyaged with him to Egypt in 1880. He was a well-known Orientalist. In 1886, Queen Victoria commissioned Swoboda to paint several of a group of Indian artisans who had been brought to Windsor as part of the Golden Jubilee preparations. Victoria liked the resulting paintings so much that she paid Swoboda's way to India to paint more of her Indian subjects.Swoboda painted many of the ordinary people of India in a grouping of small (no more than eight inches high) paintings which resulted. While in India, he stayed, part of the time, with John Lockwood Kipling, and met his son Rudyard Kipling. The younger Kipling was unimpressed with Swoboda, writing to a friend about two "Austrian maniacs" who thought they were "almighty" artists aiming to "embrace the whole blazing East".Upon his return from India, he also painted (in 1888 and 1889) two portraits of Abdul Karim,
Bernardo Bellotto
Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
Giovanni Bellini
Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.